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I’ve definitely been on a memoir kick lately; seems to be the first thing I pick up these days. Next up on the list was Christine Hyung-Oak Lee’s Tell Me Everything You Don't Remember:
Stylistically, what’s interesting about this memoir is that it’s fairly repetitive and pretty much non-linear. This approach was perhaps necessitated by Lee’s condition; it’s evident that she employs notes and other such writings that she penned during her recovery to help generate what would eventually become this memoir. Despite this type of style, the memoir is eminently readable. Perhaps, one of the most tragic things about this memoir is how much the author has to redefine herself in light of the stroke. Because of an underlying medical condition associated with this stroke, the author battled fatigue related to cardiovascular activities all of her life. It was only when the stroke made clear that why this problem occurred (amongst other medical issues) that the author begins to understand that things she thought were all in her head were actually physiologically related. What’s further apparent is that the desire to forge ahead despite these medical issues (leading up to the apocalyptic stroke) created a hardened persona, one that would be categorically undone by the simple fact that the author could not create short term memories following the stroke. In some sense, this inability to remember becomes a way for the author also to have a kind of renaissance, to remake her identity in light of the new information and during her incredible recovery process.
Along the way, readers are treated to the navel-gazing necessary for the best in this genre; particularly crucial is the elliptical, yet nuanced way that the author delves into her marriage, which is slowly crumbling apart. There’s always an intriguing meta-discursive level to this work, as the author makes clear that the very writing of the memoir would have been impossible had she not been able to recover her short term memory capabilities. Indeed, as she explicitly tells us, short term memories allow us to retain what it is we wrote earlier on in a sentence so that we can make sense of the what need to write at the end. Thus, to write this memoir, to become the writer she needs to be, the author achieves more than a publication, she models her amazing, but difficult recovery process. Certainly, a wonderful work to be paired alongside other medical memoirs, such as Paul Kalanithi’s When Breath Becomes Air.
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Review Author: Stephen Hong Sohn
Review Editor: Leslie J. Fernandez
If you have any questions or want us to consider your book for review, please don’t hesitate to contact us via email!
Prof. Stephen Hong Sohn at ssohnucr@gmail.com
Leslie J. Fernandez, PhD Student in English, at lfern010@ucr.edu