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Written by Stephen Hong Sohn
Edited by Lizzy Sobiesk
So, I’m going to be entirely frank here: the horror intensity of the novel is not necessarily on the highest level, though there are definitely some dreadful and terrifying sequences. Cañas is admittedly balancing a lot. This novel is a not only a historical fiction, but it’s also a frontier romance, a western, and a kind of supernatural horror novel all rolled into one. It’s not easy to cultivate each of these areas. Of these various elements, I do think Cañas is most successful in the romance narrative department, as we are no doubt rooting for Nena and Néstor, and they come from different class backgrounds, making their pairing all the more difficult. What the two have going for them is that they are willing to have each other’s backs in the most difficult of circumstances. Whether they are battling for their land against the yanquis, trying to fend off the supernatural evil that are vampires, or going up against the social mores that demand that the two find other partners, Cañas has us cheering for these leads. I sometimes teach a monster theory reading, and what’s interesting to me about this novel is that Cañas, like many other BIPOC writers, is somewhat skeptical of any essentialized villainy. Indeed, in this novel’s case, even something as terrifying as supernatural vampires is undermined the conclusion. We are left to consider the possibility that the bloodsucking might of these creatures may have been harnessed by the yanquis and that these monsters may simply be a variation on a type of large animal who possesses a particularly strong predatory instinct, something more akin to a lizard or shark rather than something too strange or alien. Ultimately, Cañas’s text is immensely readable and perfectly appropriate to consume in the lead-up to Halloween. Frightful and romantic somehow all at the same time!
Buy the Book Here